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Dian Hanson’s: The History of Men’s Magazines. Vol. 1: From 1900 to Post-WWII

Dian Hanson

Dian Hanson’s: The History of Men’s Magazines. Vol. 1: From 1900 to Post-WWII
Niedostepny
Ostatnio widziany
30.11.2023
€66,89

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Product info / Cechy produktu
Rodzaj (nośnik) / Item type książka / book
Dział / Department Książki i czasopisma / Books and periodicals
Autor / Author Dian Hanson
Tytuł / Title Dian Hanson’s: The History of Men’s Magazines. Vol. 1: From 1900 to Post-WWII
Język / Language angielski, niemiecki, francuski
Wydawca / Publisher Taschen
Rok wydania / Year published 2023
   
Rodzaj oprawy / Cover type Twarda
Wymiary / Size 22.0x28.0
Liczba stron / Pages 460
Ciężar / Weight 2,0780 kg
   
ISBN 9783836592154 (9783836592154)
EAN/UPC 9783836592154
Stan produktu / Condition nowy / new - sprzedajemy wyłącznie nowe nieużywane produkty
How Paris and WWI spawned men’s magazines
The first commercial camera was introduced in 1839. By 1865 technology enabled ordinary men to create photographic negatives, and they immediately began taking and distributing photos of naked women. The French led the way, and it was the French who produced the first nude magazines in 1880, as souvenirs for patrons of Parisian music halls. Newsstand magazines followed, and the elegant La Vie Parisienne (Paris Life), full of sexy fiction and illustrations, debuted in 1914. It might all have stayed in Paris if not for WWI, when German and American troops carried the magazines home. American Wilford Fawcett launched Capt. Billy’s Whiz Bang (named after a WWI bomb) in 1919, helping launch the first sexual revolution of the 1920s, leading to SEX magazine from birth control pioneer Margaret Sanger.

Decadent Weimar Berlin produced cabaret, fetish and free love magazines, countered by nudist titles pushing fascist politics, culminating in the 1933 Berlin book burning.

The 1930s economic depression boosted demand for cheap escape, and men’s magazines delivered. There were film magazines of sexy starlets; “model study” art magazines; hardcore comics called Tijuana Bibles; “spicy” fiction digests with sexy painted covers; and detective titles of bad dames.


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